Discovered this video on YouTube. Haven’t used it for a writing session yet, but I intend on doing so within the next few days.
TO PURCHASE J. A. FAULKERSON’S “ADINKRAHENE: FEAR OF A BLACK PLANET”, CLICK HERE.
On June 23rd, I received an email from Max Rodriguez, founder of the Harlem Book Fair, which, in 2015, celebrated its 17th year of operation. He advised that my debut novel, Adinkrahene: Fear of a Black Planet, had been selected as one of three finalists for a Phillis Wheatley Book Award.
To say I was elated would be an understatement. I was overjoyed, unashamedly floating above, and well beyond, the stratosphere. But now that this news had been shared with me, I found myself sitting on pins and needles in anticipation of being named the First Fiction Book Award winner at the July 17th awards ceremony, which was held on the campus of Columbia University.
I didn’t win that day. Neither did the other finalist, Amaka Lily, for Shifting Allegiances: A Nigerian’s Story of Nigeria, America and Culture Shock. The award went to Nigeria Lockley for her debut novel Born at Dawn.
I think my 11-year-old son took this news the hardest. When New York Times bestselling author Omar Tyree announced the winner, my son exclaimed, “Aw, man! I wanted you to win!”
All I could do was peer over and down at him, a smirk masking my disappointment. “It’s okay, buddy,” I told him. “I’m honored from just being named a finalist.” Then, without skipping a beat, I added, “Maybe next year, we can both enter something.”
He smiled at that.
What my son didn’t know was our NYC weekend would be special not because I was being considered for a prestigious award – even though it would have been nice to have won it. It would be special because I was spending it with him. Even before we boarded the Metro train on 72nd Street for the short ride Uptown to Columbia University, we had spent the early afternoon sightseeing in Times Square and eating lunch at the Bubba Gump Shrimp Company.
While walking the streets in and around Times Square, I received a peace blessing from a Chinese monk.
My son marveled at the sight of a woman dressed as the Statue of Liberty (standing completely still for several, long minutes), and the Naked Cowboy playing his guitar, curbside, for his adoring female fans.
And I fought, to no avail, to avert his eyes as we walked past two women clad in body paint, high heel shoes and shiny shorts that left little to the imagination.
The next day, Saturday, we walked from the Hotel Beacon to the Starbucks across the street for breakfast. After we received our breakfast orders, I explained the game plan to him. We would catch the Metro on 72nd Street for the short ride Uptown to 135th. Once there, we would locate our vendor booth along a street next to the Countee Cullen Library for the daylong Harlem Book Fair. From there, we would proceed to sell our books to the hordes of readers that would be swarming around our booth.
He nodded, letting me know he was game. But then it happened. It started raining, cats and dogs really. All I could do was nod my head as my heart sank. We had flown from Dallas to New York City to sell our books, and now we were going to be forced to contend with the rain.
The two previous times I had attended the fair, rain had never been in the forecast, only sunny skies and the accompanying heat. Lucky for us, the rain went from a torrential downpour to a sprinkle. And by the time we emerged from the 135th Street subway station, it had stopped completely.
Selling books at the Harlem Book Fair was a transformative experience for my son and me. As people stepped to our table to inquire about our titles, we had to dig deep to give them good reasons to purchase them. I told them that the first book in the Adinkrahene series is all about introducing readers to a new reality, one in which a select group of Black men and women (100 total) are lower-case gods, and they mainly use their supernatural abilities to establish peace and prosperity for all, not exact vengeance upon their enemies, the Anglo-controlled (but Satarian-possessed) Corporate Cabal.
My son told his readers that the Leaf Knight (from his The Leaf Knight Chronicles: The Knightly Origins) is an 11-year-old boy destined to fulfill a prophecy. And when he added that the story and illustrations were all penned and drawn by him, these same readers didn’t hesitate to reach for their wallets (and purses) and pay him for autographed copies of his book. All this proud poppa could do was smile, because it became crystal clear to me that, on this day at least, he would be the most popular author working under the Culturally Coded Content banner.
We celebrated that night by going Downtown to see the Broadway play Wicked. Seeing this play had been on my to-do list since my days as Director of the Bruce Wells Scholars TRIO Upward Bound Program (2001-2005). That was more than 10 years ago. But as I sat there, with my son, watching actors bring novelist Gregory Maguire’s words to life, I daydreamed about what life would be like to have stage and screen actors do the same for my novels, short stories and screenplays.
Only time will tell. My son and I just have to keep doing what is necessary to grow as writers.
When I first started this journey, my goal was not to become a hack, kicking out book projects that didn’t add value to readers’ lives. My goal has always been to produce creative works that speak to the relationships that we humans share, both individually and collectively. Having my debut novel selected as a finalist for the 2015 Phillis Wheatley First Fiction Book Award lets me know I’m a good writer. I must now be about the business of becoming a great one.
CLICK HERE TO PURCHASE J.A. FAULKERSON’S DEBUT NOVEL, ADINKRAHENE: FEAR OF A BLACK PLANET.
Saturday mornings used to be a time of discovery and bewilderment for me. As a young child growing up in Upper East Tennessee, I would wake up most mornings to pancakes and cartoons. As I ate the pancakes that my mother prepared for me, I allowed myself to get lost in the lives of these make-believe characters. Some of my favorites were The Flintstones, Super Stretch and Mirco-Woman, Jonny Quest, The Jetsons, Scooby-Doo, Spider-Man and His Amazing Friends, Super Friends, and Clue Club, to name only a few. With the advent of Boomerang, at 46 years of age, I am discovering that I’m most creative when familiar voices and tunes can be heard in the background during my writing sessions.
Some would argue that being torn between the computer and television screens causes writers to lose their momentum when crafting stories. I wouldn’t argue with that. I undoubtedly would be even more productive if I didn’t take those quick glances to see Jonny and Hadje floating on a hovercraft with Race Bannon, their bodyguard. And Lord knows Fred and Barney’s verbal volleys turn quick glances into lingering ones. But for me, hearing their voices takes me to a place where life was much simpler, less stressful.
Most of you know, I was raised by a once-poor, single-parent mother. You would think growing up in a low-income household would be more complex and stressful. But it wasn’t, at least for me. I was a daydreamer, and the Saturday morning cartoon line-ups on NBC, CBS and ABC enriched the dreams that I would have as I peered out the window of our two-story, subsidized apartment complex.
Because I am now using my time as a stay-at-home parent to more fervently pursue my writing career, I often find myself rushing to complete my daily five-page quota. Even as I write this blog entry, I worry about not reaching my daily goal. My time has been spent with you, not with the new novel that has nothing to do with my Adinkrahene series. In a few hours, I have to pick my son up from summer day camp and then drop him off at a summer academic enrichment program. As his father, I want to put him in a position to have fun during his 10-week summer break, but then start the new school year with a head of steam.
Then there’s my wife’s honey-do list. At times, working through this list can take precedence over my writing. Yes, there are times when I balk. All I want to do is write, read, and watch old, black and white science-fiction movies on the Syfy Channel. But my primary job is to take care of things around the house so my working wife doesn’t have to. You’ll have to ask her, but I think I’m doing a pretty good job, most of the time.
But I digress.
The Saturday morning cartoon line-up made living in a low-income community bearable. Because I grew up in a small town in Upper East Tennessee, I was somewhat immune to the troubles plaguing major cities like Chicago, New York and Baltimore. But drugs like marijuana and cocaine were reportedly readily available to anyone who was willing to pay the piper. Some of the kids I grew up with were even recruited by irresponsible adults to become drug pushers. As I reflect on my life now, I realize my saving grace was my acceptance of Jesus Christ as my Lord and Savior, followed by my love for Saturday morning cartoons and comic books.
While other kids were hanging out on the street on Saturday mornings, I was either watching shows like Super Stretch and Micro-Woman, or reading Richie Rich comic books. I also was getting into the habit of reading the Christian bible daily. At the time, I didn’t know these activities would lead to me wanting to become a professional writer. I was more concerned about going on an imaginary journey with the characters I saw on screen or read about in my comic books.
I even received cartoon fixes during the week. I still remember those days when I would come home from school to watch shows like Space Giants, Tom & Jerry and Woody Woodpecker. There was also the after-school specials on ABC that offered up inspiring stories about living life purposefully and responsibly.
The Saturday morning cartoon line-up introduced me to quirky characters. Some of the most quirky ones were George Jetson and Fred Flintstone, as well as Scooby-Doo and Shaggy. These characters are now considered icons because they were introduced during a time when life was, well, much simpler and less stressful. We didn’t have computers connected to the World Wide Web then. Our color television sets, with metal clothes hanger antennae, were our only conduits to the outside world.
The Saturday morning line-up fueled my imagination, my love for writing novels and screenplays. When I went on these journeys with these imaginary characters, I felt like I was right there with them. It was great being there with Jonny Quest on a mission in a South American rain forest. It was also great being there with the mouse Jerry as he outsmarted the cat Tom for the umpteenth time, or hearing the dog Droopy say, “You know what? I’m sad.” These characters, and others, gave me an appreciation for showing not telling, as well as how to take your characters through a series of complications before reaching the climax. That’s not to say, I’ve mastered these skills. The road ahead is long, steep and winding. I just want to be as creative as I can be so you can use your five senses to fully embrace the literary meals I have prepared, and continue to prepare, for you.
CLICK HERE TO PURCHASE J.A. FAULKERSON’S DEBUT NOVEL, ADINKRAHENE: FEAR OF A BLACK PLANET.
CLICK HERE TO PURCHASE J.A. FAULKERSON’S DEBUT NOVEL, ADINKRAHENE: FEAR OF A BLACK PLANET.
After completing ADINKRAHENE: Fear of a Black Planet, I was torn between revamping one of my old novels or starting a new one. I ultimately decided to start from scratch. But now that I have more time to dedicate to my writing, I must once again display the same kind of discipline that enabled me to become a published novelist.
Fortunately for me, I have 21 pages of an unfinished screenplay to work from. Like all screenplays, it was written in the third person, in the active voice. The writing style is short, choppy, to the point. The biggest challenge for me, however, has been staying true to the story that I was trying to tell through the screenplay. I just have to avoid the temptation to write, well, short, choppy and pointed prose.
Short, choppy and pointed is great for screenplays, but not novels. When you’re writing a novel, you have to use the canvas of the reader’s mind to paint the settings and establish distinctive moods with your play on words. More importantly, the reader should be able to see your characters for who and what they are. Some will be perfect, others imperfect. They will also have mannerisms that are uniquely suited to them.
When I was a full-time employee, I used my hour-long lunch breaks to create content. Yes, there were days when I wanted to put the project down and just savor my lunch. There were also days when I wanted to chat more with my co-workers. But I knew if I did that, I would never be able to type that last sentence, or share my published novel with the world. I was on a mission: publish a 50-100,000-word novel by the end of May 2014. I achieved that goal, and I have been satisfied with the opportunities that have opened up to me as a result.
In June 2014, I appeared on TV One’s Newsone Now with Roland S. Martin. I enjoyed chatting with Roland about my life as a stay-at-home parent. But I’m not going to lie; it felt good when he introduced me as “Novelist Jeffery A. Faulkerson.” Even though I didn’t get a chance to publicize my debut novel, Roland’s introduction was a recognition of my hustle.
Next up is the National Black Book Festival in Houston, Texas. This event has been on my radar for years because it is one of many places where authors like myself get a chance to interact with new readers. These new readers will have questions about my novel, and I will count it a privilege and honor to be there to offer detailed responses. And if members of the Adinkrahene Nation (i.e., purchasers of my novel) are present, I look forward to collecting input for Book Two: Fear of a Beloved Community and Book Three: Fear of an Alien Presence.
As I lay the foundation for the writing of these books, I feel the need to study the writing of iconic writers. I am currently reading Octavia Butler’s Kindred. It’s a science fiction masterpiece that has the main character time shifting from Butler’s present to the antebellum South. I’m loving this piece, especially after reading Rom Wills’ The Sankofans novella. Butler’s novel is intriguing, and, at times, I have a difficult time putting it down.
My current project has nothing to do with science fiction. It’s a sports drama. Like I said before, my initial intent was to complete the screenplay, submit it to an agent, and then pray he would be able to pitch it to one of the Hollywood studios. I guess at the time I feared success. The only thing I did in 2013 to promote my story ideas was participate in a pitchfest event at the Screenwriters World Conference in Los Angeles, California. Don’t get me wrong; reciting memorized loglines and summaries for prospective buyers is great practice for making sales. But during my brief conversation with some of these buyers, I knew I sounded a lot like Charlie Brown’s teacher. I should have realized right then and there that my story ideas were better suited for the people, and the quickest way to get the same to them was through self-publication.
In his song Lose Yourself, rapper Eminem tells us that we only have one shot to blow (up). I don’t know what the future holds for me. I honestly can’t tell you if my writings will “blow up” one day, make J. A. Faulkerson a household name. All I know is I can’t be concerned with such nonsense. Offering up stories that resonate with you, my loyal readers, is paramount. And if you keep meeting me halfway by purchasing one of my products, I’m certain a new generation of Americans will understand the importance of co-existing.
Thank you for your support.
CLICK HERE TO PURCHASE J.A. FAULKERSON’S DEBUT NOVEL, ADINKRAHENE: FEAR OF A BLACK PLANET.
By now, many of you have seen the Quentin Tarantino film Django Unchained. I have watched it several times, and my admiration for the story, and the actors that brought it to life, continues to grow. But what you need to know about Django Unchained is it is the spark that moved me to write ADINKRAHENE: Fear of a Black Planet.
You see, Django Unchained is a story that casts a black man as the protagonist (I know, I know, Marc H. Django the hero didn’t kill Candy the villain, but he did get his woman back.). In an era where black men are rarely the ones saving the day, we have to tip our hats to Tarantino. He ran against the grain because he seemingly knows that we contemporary African Americans are still salty about the way our ancestors were treated. You could even argue that our ire is intensified even more when we see and hear Republican politicians and Conservative thought leaders attacking the gains that this country made during the Civil Rights Movement of the 1950s and ’60s. For some strange reason, these unenlightened Americans want their White American brethren to think something was taken away from them when this piece of legislation was passed. They’re wrong.
For this reason alone, I will be using this series of books to skewer the Republican Party. I assert that the Republican Party has been co-opted by the Corporate Cabal (i.e., White ruling class), and members of the Corporate Cabal have sold their souls to the demonic Satarian Empire. How else would you explain the GOP ‘s insensitivity to African-American challenges and concerns? The Devil must be making them do it. I just hope the unenlightened become enlightened through the reading of my words.
There has been talk that racism and discrimination are things of the past just because America elected its first, black president. Yes, electing Barack Hussein Obama as the leader of the free world is, and always will be, a good thing, but that doesn’t mean we’re now judging people by the content of their characters. If anything, the cracks in our unity are becoming more evident, and they are becoming more pronounced because GOP leaders don’t want to relinquish control of the plantation. But they have to relinquish control because we African Americans, like Django Freeman, will never again pick cotton…without compensation.
I still remember seeing an elderly, white woman dragging her husband out of the theater during Django Unchained’s opening weekend. This was done within the film’s first hour. She obviously was taken aback by the level of violence that Django, a black man, exacted against the bigoted, white slave owners. I readily agree that Tarantino’s brand of violence left little to the imagination. But why should it? We African Americans know that slave owners and Jim Crow criminals exacted a similar kind of violence against our ancestors.
In ADINKRAHENE: Fear of a Black Planet, I give you a cast of altruistic black characters that have been chosen by the one, true God to rebuild what Dr. Martin Luther King, Jr. called the Beloved Community. But I counter their altruism with Black-Out, a black militia group that is committed to avenging the deaths of our fallen African and African-American ancestors by any means necessary. By pitting the Adinkrahene Reparations Management Syndicate (ARMS) against Black-Out, I hope you, the reader, will be able to see why all of us – red, brown, yellow, black and white – have been called to become Progressive agents of non-violent change.
About three months ago, I downloaded crime novelist John Locke’s ebook How I Sold 1 Million eBooks in 5 Months. However, I put it down soon after the purchase was made because I wanted to put the finishing touches on my debut novel, ADINKRAHENE: Fear of a Black Planet. But now that ADINKRAHENE is available for online purchase, I have started reading it again.
I would give anything to sell a million copies of my ebook or paperback. But to do that, in the words of John Locke, I have to identify my audience and then speak to it. While I have identified my audience (i.e., enlightened humans of all hues), I realize now that I haven’t had enough thought-provoking conversations with its members. I plan on doing more of that in the future.
I am looking forward to diving deeper into Locke’s book, and making his system my own. Like all self-published authors, I believe in my product, that it speaks to a generation of Americans who see how the color line is being used by the Corporate Cabal to divide and conquer members of the middle and working classes. But more than anything, these enlightened Americans see how Africans and African Americans are being scape-coated so the white ruling class never has to fully atone for the sins it committed, and continues to commit, against persons of color. A hard pill to swallow, I know. But these types of conversations must occur if we ever hope to build a beloved community of equals.
I have read samples of John Locke’s crime novels, but I have yet to purchase one. He’s a gifted writer, and I encourage all of my followers to visit his website to see all of the other products he has queued up for purchase. While I opted to purchase his nonfiction offering to gain a better understanding of his self-publishing system, I’m also smart enough to know that I also need to study his storytelling. People aren’t just buying Locke’s books because he’s looking kind of cool on the cover to the left. They’re buying his books because of the content, the way he tells his stories.
Stay tuned. After I finish reading John Locke’s wonderfully crafted ebook, I will share my thoughts and impressions in a future post.
North Texas – When Novelist J.A. Faulkerson set out to write his first novel, he didn’t know where he would end up. He knew he wanted to write a story that empowered Africans and African Americans, but the full story had yet to form in his mind. But then, while conducting an Internet search on African Adinkra symbols, he came across an image that would serve as the foundation for his first novel, Adinkrahene: Fear of a Black Planet.
The Adinkrahene symbol is nothing but one small, white circle surrounded by two larger ones, but it provided the inspiration Faulkerson needed to create a universe where members of the Black Diaspora are God’s chosen ones. Words that are associated with the symbol are greatness, charisma and leadership. It reportedly signifies the importance of playing a leadership role.
The story opens with an unpublished excerpt from Frederick Douglass’s slave narratives. In the 1843 excerpt, Douglass writes about his encounter with a green-skinned alien named Daygon. Daygon and other members of the Satarian race reside under the surface of Mars, and were created by Lucifer, or Satan, to one day take possession of the Earth and rule over its inhabitants. Lucifer’s aim is to prove that he is God’s better. But Daygon, an infiltrating Satarian demon turned human loyalist, tells Douglass that Earth’s darker-skinned people have been designated by the one, true God to serve as planetary protectorates, being gifted with innate powers derived from the lost Garden of Eden. Daygon contends that this special gifting was bestowed on Earth’s darker-skinned people because Adam and Eve were created from the dark sands of Eden, Africa, and, by today’s standards, would be considered Black.
Fast forward to today, where readers meet Jonathan Fraiser, a Washington Post political reporter, who is attending an impromptu press conference in the Russell Senate Office Building. During this press conference, Mississippi Senator Kyle Shuler announces his bid to run against incumbent Herbert Newsom in the 2012 presidential election. Four years earlier, Newsom was overwhelmingly elected as America’s first, Black president. But Jonathan knows Kyle Shuler’s dirty, little secret – that he and two of his friends participated in the murder of an elderly, Black woman when they were teenagers.
This elderly, Black woman was FBI agent Selina Giles’ grandmother and legal guardian. Selina was eleven years old when Kyle Shuler slit her grandmother’s throat. But because Shuler is one to keep his friends close, his enemies closer, he invites Selina to his press conference. While there, she runs into Jonathan, a longtime friend from college, and they agree to meet for dinner. During their dinner meeting, Selina tells Jonathan she now has confirmation that Kyle Shuler murdered her grandmother as a Corporate Cabal initiation rite.
Selina hands Jonathan an aluminum business card with an Adinkrahene symbol and telephone number on it. She admonishes him to call the number on the card. Jonathan does, leading to his initially joining forces with Selina as an Adinkrahene Agent to prevent Kyle Shuler from becoming the leader of the free world. But their relationship sours when Selina abruptly severs her ties with the Adinkrahene Reparations Management Syndicate (ARMS) to lead Blackout, a black militia group that is committed to avenging the Black Diaspora’s fallen heroes by any means necessary.
Adinkrahene: Fear of a Black Planet is available for online purchase as an ebook and paperback through Amazon.
In July 2015, Adinkrahene: Fear of a Black Planet was selected as a finalist (one of three) for a Phillis Wheatley Book Award (in the First Fiction category). The Phillis Wheatley Book Awards are held annually at Columbia University in conjunction with the Harlem Book Fair.
Read an extended excerpt from Adinkrahene: Fear of a Black Planet on the African-American Literature Book Club (AALBC) website.
ABOUT THE AUTHOR
J. A. Faulkerson is a novelist, screenwriter and blogger with Culturally Coded Content, a creative writing and community education firm based in North Texas. The oldest of three children raised by a once-poor, single-parent mother, J. A. is passionate about facilitating educational seminars and workshops that give parenting adults the impetus they need to improve outcomes for children and youths.
For additional information about Novelist J.A. Faulkerson, follow his blog at http://www.jafaulkerson.wordpress.com. To inquire about his availability for interviews, book reading and signings, send an email to firstname.lastname@example.org.
WE descend from great, charismatic leadership.
WE commit to developing strong minds, strong bodies and strong spirits.
WE work diligently to rebuild the Beloved Community – the Pangean Nation.
WE reject any and all attempts to put profits over people.
WE give selflessly of our time, talent and treasure.
From ADINKRAHENE: Fear of a Black Planet by J.A. Faulkerson
Copyright 2014. All rights reserved.
Click here to purchase electronic edition ($3.99) from Amazon’s Kindle Direct Publishing.
Click here to purchase print edition ($7.99) from Amazon’s Createspace.
All writers know we are never at a loss for content. Topics to write about are all around us. But 33 pages in to my first novel, Adinkrahene: Fear of a Black Planet, I almost felt compelled to toss it.
No one, especially unenlightened Whites, wanted to read about a syndicate of powerful, altruistic Blacks, I thought. They especially didn’t want to learn that these powerful, altruistic Blacks were God’s chosen people, humanity’s only hope against an imminent alien invasion.
The decision to forge ahead was initially a hard one. My visits to local bookstores and movie theaters left me disappointed. Very rarely did I find Science Fiction and Action and Adventure titles featuring African and African-American characters whose sole purpose was to save the day. Most of the Black characters I read about or saw supported the efforts of White heroes. And the fact that traditional publishers and the major Hollywood studios were slow to accept stories featuring strong, black characters had me thinking a market didn’t exist for these types of stories.
I decided to forge ahead because the story in my head had to be told. It had to cast powerful, altruistic Blacks in more powerful roles. It also had to shine a light on the racial politics that work to demonize members of the Black Diaspora so unenlightened Whites will have an easier time justifying their racist attitudes and actions.
I know the story isn’t going to sit well with some of my unenlightened white brothers and sisters. In this story, I assert that the Republican Party has been co-opted by the Corporate Cabal, and the Corporate Cabal is being manipulated by the spawns of Satan, for crying out loud. But because my story plays on the prejudicial behavior of some members of the Republican Party, it’s easy for most Americans to see why I would try to make such a connection. A party who prides itself in respecting all Americans’ individual rights to life, liberty and happiness is wanting to impose policies that deny these same rights to racial/ethnic minorities, women, college students and immigrants.
And it is my contention that the Devil is making them do it.
Today’s Republican Party supports the implementation of tougher voter restriction laws, even though studies show voter fraud has never been a problem.
Today’s Republican Party voted over 50 times to repeal and replace the Affordable Care Act, which, to date, is serving over eight million Americans.
Today’s Republican Party questions the legitimacy of America’s first, black president, saying no to his proposals even though most, if not all, of his proposals originated with Republican legislators and/or Conservative thought leaders.
Today’s Republican legislators speak disparagingly about African Americans, women, college students and immigrants at town hall meetings and fundraisers, even though their own 2012 post-election autopsy showed they stand on the side of the 1 percent and place profits over people.
It doesn’t take a genius to figure out why they are taking these extreme positions. First, and foremost, they are trying to fan the white resentment that exists in this country. Unenlightened Whites resent the fact that African Americans were “given stuff” following the passage of the Civil Rights Act of 1964. What they consistently fail to consider is the maltreatment that led up to the passage of this piece of legislation. Africans brought to this country against their will to serve as slaves, or uncompensated laborers. African Americans being treated like second-class citizens because of Jim Crow legislation. Black children being taught in inferior classrooms. And black men and boys being shot dead or hung from trees after being deemed threats by unenlightened white men.
Yes, I choose to go there. And I’m not ashamed or deterred. But please know that the intent of this series is not to infuriate you. My intent is to awaken a racially diverse coalition of readers to the racial politics that the Conservative Movement is using to divide us, get us to regress rather than progress. Through my words, I want to unite us in thought and purpose by showing you how the agents of the Adinkrahene Reparations Management Syndicate (ARMS) work with their like-minded brothers and sisters to push back alien Satanic forces.
The electronic version (Retail Price: $3.99) of Adinkrahene: Fear of a Black Planet is available now through Amazon’s Kindle Direct Publishing. The print version (Retail Price: $7.99) is also available, albeit through Amazon’s Createspace. The Adinkrahene story arc will be completed in Adinkrahene: Fear of a Beloved Community and Adinkrahene: Fear of an Alien Presence.
Thank you in advance for your purchase of Adinkrahene: Fear of a Black Planet, as well as your ongoing prayers and support.
ADINKRAHENE! Or I wish you well in your quest to consistently display great, charismatic leadership.
Back in 2013, Omar Tyree agreed to appear on my Blogtalkradio program SESSIONS with Jeffery A. Faulkerson. He dropped a lot of knowledge on me that day, and it was this conversation that motivated me to finally sit down and get to work on my first novel. Listen as he tells us about his hustle in this YouTube video.